Route 10/66
Route 10/66 is an exhibition in the Artemis Hotel in Amsterdam, with postcode area 1066. The exhibition shows 66 artists on a big wall made of cartboard boxes, and 10 of those 66 actually exhibit their work. I helped out
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Rond Ruimte
Visual identity for the fresh new civil engineering and consultancy company Rond Ruimte based in Hellevoetsluis. They recently kicked off with a logo, website and stationery set, and in the near future the identity will be further developed. Typeface: Sansa
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Badlands 777
Identity, custom font and website for über sleazers Badlands 777. The custom font is based on the infamous Slayer logo. Coding by Coen Warmer.
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Haags Historisch Museum
New identity package for the Historical Museum of The Hague (Haags Historisch Museum). The new identity is build around a heraldic logo that pinpoints locations in the city on a colourful illustrated map of The Hague. With this new identity
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Raad voor Cultuur
Poster for the Raad voor Cultuur (Council of Culture) that visualises the position of the council in relation to stakeholders and government, as well as it’s internal structure. Size: 594 x 420 mm
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Global Media Team
Logo and logomanual for the Global Media Team at Heineken Global Commerce.
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Kufam
Kufam is the result of the collaboration between me and my design partner Wael Morcos in the second edition of the Typographic Matchmaking project in which we set out to design a typeface containing both Arab and Latin scripts that
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Saur
Recently restaurant Saur, an establishment located since 1928 at the Lange Voorhout in The Hague, re-opened it’s doors. A new chef, a new menu, a new interior and exterior, so a new logo as well. The old wordmark was dusted
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Saar Francken
Logo and website for projectmanager and communication expert Saar Francken. The logo tells about her role as a connector between different parties involved in social innovation.
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Hunkemöller lettering
Custom lettering for a frequent Hunkemoller campaign. The lettering is applied throughout Hunkemoller stores in The Netherlands, France, Denmark, Spain, Germany and Belgium. Made at Sin.
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Parry
Parry has it roots in the sturdy slabserifs common to the Victorian age, but despite its nineteenth-century perfume, it is unmistakingly a contemporary typeface. It produces a much rounder and softer image than the often rigid slab serifs of those
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Literatuur Late Night
High impact typographic serie of posters and flyers for Literatuur Late Night evenings organised by the public library in The Hague. The basic design stays the same, only the colour and illustrative elements change each edition. Made at Sin.
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Various logo’s and lettering
Various logo’s and lettering by Artur Schmal.
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Krant van de Aarde
I created the basic lay-out and typographic grid for the Krant van de Aarde. These are some the spreads I designed for various issues. Made at Sin. Typefaces: Fresco Pro and Sansa
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Kamermans Kermis 2010
Flyer/poster combination for a series of nights in De Balie Amsterdam organized by De Optimist, De Balie and Wolphin. Made in collaboration with my dearest friend Maartje van Nimwegen. Size: 420 x 297 mm
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Sebastiaan Genootschap
Logo, letterhead and brochure for the Sebastiaan Circle which supports the Haags Historisch Museum and Museum de Gevangenpoort. The logo uses smallcaps from Fresco Pro. Printed with pantone purple and metallic gold as a spotcolour. Commisioned by Sin.
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Kunsten ’92 annual report
Annual report made in collaboration with favourite colleague Maartje van Nimwegen. We wanted to emphasize the relation between Kunsten ’92 and her diverse members from all over the cultural sector, by using handdrawn ampersand characters as the lead visuals throughout
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Agenda voor het Oer-IJ
Agenda voor het Oer-IJ is composed of scientific texts on the estuary of the Oer-IJ throughout from prehistory up till now published by Cultureel Erfgoed Noord-Holland. The cover shows different landscape elements in cartography style. The darker the shapes are
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Parry Grotesque
Parry Grotesque is the sanserif counterpart of Parry. Just as Parry has it’s roots in the nineteenth-century slabserifs, Parry Grotesque is inspired by the sturdy sanserif faces that were seen in nineteenth-century printed matter. Since early nineteenth-century slabserifs and grotesques
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De Optimist
Identity for De Optimist, a digital cultural magazine with a rather eclectic content: literature, music, essays, reviews, photography, interviews, fashion and all that explores the untouched boundaries of those areas. Made in collaboration with Maartje van Nimwegen . www.deoptimist.net
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Kunst en Cultuur Noord-Holland — annual report
The organistion Kunst en Cultuur Noord-Holland is responsible for the cultural climate in the north of Holland. They are the link between the public, the artists, the government, businesses and education. With their latest annual report KCNH wanted to get
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Missie Zendings Kalender
These capitals were custom drawn for a publicity campaign promoting a missionary calender. Each month of the calendar showed a piece of work by an artist who does glass in lead church windows. These capitals are the typographic interpretation of
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Het verdwijnpunt
Photographer Janneke de Jong wrote her graduation thesis about road movies and freedom. I was happy to help her out with the design of the publication. Size: 210 x 297 mm / Typefaces: Parry and Parry Grotesque
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Kamermans Kermis 2011
For the second edition of Kamermans Kermis we made an individual flyer with customized lettering for each evening. Made in collaboration with Maartje van Nimwegen. Also see: Kamermans Kermis 2010
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